On the Cover
Volume 26, no. 2, Ways of Knowing
Cover artwork by Brus Rubio
On the Cover
You may also like
What is there to learn from Fleming’s “Atlas for the Green New Deal”? Rather than plowing forward as if the answers could be determined on the basis of ever-improved computation, Fleming’s team has chosen to properly recognize the lived...
Sticky Wall Corner emerged from the idea of using the aldoquín as a construction material. Its size and brick-like form lend itself to the creation of architectural simulacra, in this case a wall that alludes to the basic structure of a...
Beloved, if I titled this poem Yenagoa’s Black / Market, will it bring back my mother’s son? / How long before we discover that the urgency behind / Odi’s mass slaughter is oil rights?
Nadir Bouhmouch’s breathtaking documentary film Amussu (2019), exemplary of "art from below," breathes life into a counter-archive of Amazigh tradition and immotalizes Imider commune's ongoing anti-extractivist struggles.