On the Cover
Volume 26, no. 1, Gender: Beyond Binaries
Volume 26, no. 1, Gender: Beyond Binaries
150 years ago, on March 18, 1871, the poor and working class of Paris — referred to dismissively by contemporary French officialdom as “the vile multitude” — rose in rebellion. They disarmed the existing national guard and armed the...
Three baskets by Eastern Band of Cherokee artist Shan Goshorn, woven from reproductions of manuscripts and photographs to meditate on the past, present, and future of Native people
Nadir Bouhmouch’s breathtaking documentary film Amussu (2019), exemplary of "art from below," breathes life into a counter-archive of Amazigh tradition and immotalizes Imider commune's ongoing anti-extractivist struggles.
Sticky Wall Corner emerged from the idea of using the aldoquín as a construction material. Its size and brick-like form lend itself to the creation of architectural simulacra, in this case a wall that alludes to the basic structure of a...