Volume 25, no. 3, Killing in the Name Of
Nadir Bouhmouch’s breathtaking documentary film Amussu (2019), exemplary of "art from below," breathes life into a counter-archive of Amazigh tradition and immotalizes Imider commune's ongoing anti-extractivist struggles.
Beloved, if I titled this poem Yenagoa’s Black / Market, will it bring back my mother’s son? / How long before we discover that the urgency behind / Odi’s mass slaughter is oil rights?
Artist Susan Bietila depicts how chains and shackles follow the incarcerated all the way into the birthing room.
What is there to learn from Fleming’s “Atlas for the Green New Deal”? Rather than plowing forward as if the answers could be determined on the basis of ever-improved computation, Fleming’s team has chosen to properly recognize the lived...
