Volume 25, no. 3, Killing in the Name Of
A look at the original cover art by Jake Thrasher in the magazine's Autumn 2021 issue on technology and capitalism.
Sticky Wall Corner emerged from the idea of using the aldoquín as a construction material. Its size and brick-like form lend itself to the creation of architectural simulacra, in this case a wall that alludes to the basic structure of a...
Beloved, if I titled this poem Yenagoa’s Black / Market, will it bring back my mother’s son? / How long before we discover that the urgency behind / Odi’s mass slaughter is oil rights?
Artist Susan Bietila depicts how chains and shackles follow the incarcerated all the way into the birthing room.
