Poetry for Sexual Awareness Month

Poetry for Sexual Awareness Month

By Srijani Rupsha Mitra

 

Self Portrait as Forest Fire

burning grasses, burning trees,

fire

surging to form smoke, the shape of leaves,

meshwork, seeds, hiding somewhere behind the hills,

I turn to the trees, their truncated bodies like ghosts of women

in ashen amber sheaths.

smoldering branches, old and shattered,

skins like coal.

there’s a fiery breeze,

the sky bathed in

the colour of clotted blood bath

of survivors and

their sturdy, resilient parchments

entwined in a mesh

of ashes—sable in green.

my soul in solitude

peeled off like the sepia skeins

in unmoving forlorn senses of the forests,

bared open as a decaying defeat.

I try to count the missing girls,

but there’s no count at all.

the fire in me blazes in lone,

the ladies inside the palkis and sheaths

have now grown

turning to sleek nothings in coffins of briar.

it only evokes my heated ire.

and nothing remains of the forest, nothing left of the emerald veins

the thickness of solitude, surrounds as

dusted yarn.

thick as the

pollution of within and beyond.

the once-red sarees of a bride,

lie torn.

how I wish to burn in refusal

to have my breath cut into half,

oh how I want to consume the flames flamboyant, tarnishing the old, gruesome sacrifices of those who never told

the secrets of violence that slowly unfold.

let’s think of larynxes swelling with utmost power

in ways of resurrection—

regenerative and bold.

 

Song for Ourselves

 

it’s amusing, how we have learned the art of hiding

behind veils, foliages of unknown security, under the sheaths of over-protective fathers who whisper of distrust and abuse.

that even happened to me. even to this day after coming of age. beaten in gruesome hauntings. I ask you.

have you heard the constant murmur of getting back early to home? before the nestward-bound birds arrive for resting,

before the sinister spirits would upturn our welkin and engulf us in their dark webs and vicious cycles, all those miscreants stay at our homes.

we are burdening, tiring, burning still, like an ordeal of fire, just trying to prove our purity, decency.

how we are taught to be ingenuous but are fortunate if we know our own startling power, fighting the world with fierce ire.

yes, it is sometimes tiring to be a woman.

our missing girls, the nights of striding out in might from the sable woods, the bloody offerings of our mothers,

isn’t it time to divulge our stories and utter our names in our own startling power, isn’t it time to listen to our voices,

and isn’t it time to scream out loud. not the hush of woods, nor its swishing silence.

but to turn really wild and bright, with tigers breathing in between our thighs.

 

Portrait With Blood

 

It begins as a force in the arteries, maybe an animal pressing against the chest

warm weather as it makes me nervous in the veins.

The dilution, the illusion seems cool to touch and feel

the epidermis, when scarred and trauma breathes

 

at night.

The terror in my bones

when seeing images—nothing less than uncanny hauntings.

It spills over and over.

I try to imagine it as the detonation of poppy in the backyard of this earth—

the garden of life where we grow as buds, droplets,

throughout, paining and hungering, we bloom as

young girls learning their bodies and souls.

Encumbered with stories untold.

 

We endure and sustain and thrive and

learn about freedom and how it is given only after blood spills ruddy as cherry blossoms unveil, unfold.

Yet, as today I say out loud all the bottled up morose to my perpetrator with the strength of battling times, I ponder

why not think of blood,

as layers in unmoving silences

 

into the blossoming of love,

scratching the hues—rama green, purple, reddish blue,

as pomegranate gems and crystals squeezed all over,

dropping and dripping, like petals of amaryllis love, lying

deep within, deep as the sanctimonious truth.

 

Meet the contributor:

Srijani Rupsha Mitra is a writer based in India. She is preparing for Indian entrance exams and also publishing regular articles with a beauty blog. Her poetry is mostly based on psychology, trauma and culture. Her recent publications are a zine on psychology and essays in magazines like ItGetsBetter and Barriers to Bridges.