Volume 25, no. 3, Killing in the Name Of
Beloved, if I titled this poem Yenagoa’s Black / Market, will it bring back my mother’s son? / How long before we discover that the urgency behind / Odi’s mass slaughter is oil rights?
A look at the original art by Dio Cramer and Seena Mavaddat in the magazine's Winter 2021 issue.
Sticky Wall Corner emerged from the idea of using the aldoquín as a construction material. Its size and brick-like form lend itself to the creation of architectural simulacra, in this case a wall that alludes to the basic structure of a...
Artist Susan Bietila depicts how chains and shackles follow the incarcerated all the way into the birthing room.
